My first concerts on a professional basis happened in 1976. A year later I formed a group with Pakistan and Indian musicians living in Oslo. May be the first Oslo-world-music-band ever? In 1982 Eric Wøllo, Rob Waring and I established the oboe-guitar-vibraphone trio "Wiese-Wøllo-Waring".
These pages are for the most part about solo live electronics. After two years of preparations the first public performance took place in Torino in august 1987. From 1993 till 2007 I had a long break. In that period I played only for maintenance. Then, in December 2004, I decided to take up performing again.
To my advantage David Strunck was appointed solo oboist with The Oslo Philharmonic soon after. He helped me reform the way I used to play the oboe. I also redesigned the gig rig and restructured the combination of electronic instruments that I had used for performances earlier on.
May 14th at 1800. Lille Sal Oslo Konserthus - Improlectronica Mini-Festival
April 14th at 1900. Lille Sal Oslo Konserthus - Improlectronica
· Premiere for «Stilleben-konserten» i Torino, Italia
· Decoder Institute, Radio Torino Populare
· University of Nevada - Las Vegas, USA
· Konserthusets Lille Sal, Oslo
· Ny Musikks Landsturne 1988. - Trondheim, Tromsø, Bergen,Kr.sand,Stavanger
· Ny Musikksk lokalavdelinger 1991 - Bergen,Trondheim, Kr.sand, Stavanger
· Jerusalem og Tel Aviv, Israel
· Speculum Festivalen, Stavanger
· Nordlyd Festivalen, Trondheim
· Eget verk - solistfestivalen «Black Box», Ny Musikk, Oslo
· Eget verk - Royal School of Music, Manchester, UK.
· Eget verk urfremført i Musikkradioen, Oslo
· Tilegnet verk av T. Winther - urfremført i Bratislava, Slovakia
· Egne verk på Music Factory, Festspillene i Bergen
· Egne verk på «Hochschule fur Musik u. Darst.Kunst», Frankfurt
· Egne verk og i duo med Paul Mc.Candles - Univ. of Minnesota, Minneapolis.
· Egne og tilegnede verk av T. Winther og K.A.Falk - Manchester, Hamar, Oslo
· Egne verk, Speculum Festivalen, Stavanger
“Later on Tuesday, Jan Wiese of Norway presented a unique program that depended on the merging of the sounds of synthesizers with those of the oboe and English Horn. The synthesizers are controlled by a system of foot pedals which make it possible for Mr. Wiese to in effect accompany himself. The “choreography” involved in this almost hour-long program, together with the remarkable oboe-playing stamina and virtuosity, was really awe-inspiring and often hypnotic”.LP Wiese Wøllo Waring – obo, guitar, vibraphone – Busk 1984
CD “Stunt!” – oboe and live electronics – Oslo Impressario 1990